|
Excerpt from
In ruck and quibble of courtfolk
This giant hulked, I tell you, on her scene
With hands like derricks,
Looks fierce and black as rooks;
Why, all the windows broke when he stalked in.
Her dainty acres he ramped through
And used her gentle doves with manners rude;
I do not know
What fury urged him slay
Her antelope who meant him naught but good.
She spoke most chiding in his ear
Till he some pity took upon her crying;
Of rich attire
He made her shoulders bare
And solaced her, but quit her at cock's crowing.
Sylvia Plath at the Academy of American Poets
Sylvia Plath at Modern American Poetry
I think my poems immediately come out of the sensuous and emotional experiences I have, but I must say I cannot sympathise with these cries from the heart that are informed by nothing except a needle or a knife, or whatever it is. I believe that one should be able to control and manipulate experiences, even the most terrific, like madness, being tortured, this sort of experience, and one should be able to manipulate these experiences with an informed and an intelligent mini I think that personal experience is very important, but certainly it shouldn't be a kind of shut-box and mirror looking, narcissistic experience. I believe it should be relevant, and relevant to the larger things, the bigger things such as Hiroshima and Dachau and so on.
from an interview with Peter Orr
Anja Beckmann's Sylvia Plath page
Includes a number of links to critical articles.
|